by Meryle Secrest (Get the Book)
Ever-curious and wonderfully adept biographer Secrest (Modigliani, 2011) presents the first full portrait of dynamic couturier Schiaparelli. Bookish and rebellious while growing up in Rome, Schiaparelli landed in New York, wed to a con man whose stunts as a psychic investigator got them both in trouble. Left on her own to care for her ill daughter, dark-eyed and determined Schiaparelli, with her lithe physique and dragonfly mind, arrived in Paris like a mighty little tempest in 1922. An artist and by nature in sync with the surrealists she and Salvador Dali became close friends Schiaparelli created arresting trompe l'oeil knits depicting sailor's tattoos and x-rays and ingeniously used lobster, butterfly, newsprint, and circus motifs, exquisite embroidery, and wildly imaginative buttons to achieve a nonchalant chic. Secrest chronicles perfectionist Schiaparelli's business deals, A-list social network, gift for celebrity, arch wit, and ardor for new fabrics and saturated colors, especially the pink she named Shocking. Secrest also reveals the darker side of Schiaparelli's fame, from her FBI file to persistent but unsubstantiated suspicions of collaboration and espionage during the German occupation, her rivalry with Chanel, and the role fashion played in Parisian society during and after the world wars. Richly illustrated and endlessly intriguing, Secrest's biography illuminates the daredevil swagger of Schiaparelli's clothes and the oft-besieged couturier's inexhaustible tenacity and dazzling creativity. --Booklist
by Amy Biancolli (Get the Book)
"Your life isn't over." My dad says this. "I mean, YOUR life isn't over. Beyond the kids. You'll go on living, doing things. This isn't it." I know, I assure him. I have the kids. They need me. They're my life now. "OK," he replies, then grunts--more of a brief hum. He only hums when he thinks I'm full of shit. Shockingly single. Amy Biancolli's life went off script more dramatically than most after her husband of twenty years jumped off the roof of a parking garage. Left with three children, a three-story house, and a pile of knotty psychological complications, Amy realizes the flooding dishwasher, dead car battery, rapidly growing lawn, basement sump pump, and broken doorknob aren't going to fix themselves. She also realizes that "figuring shit out" means accepting the horrors that came her way, rolling with them, slogging through them, helping others through theirs, and working her way through life with love and laughter. Amy Biancolli is an author and journalist whose column appears in the Albany Times Union . Before that, Amy served as film critic for the Houston Chronicle where her reviews, published around the country, won her the 2007 Comment and Criticism Award from the Texas Associated Press Managing Editors Association. Biancolli is the author of House of Holy Fools: A Family Portrait in Six Cracked Parts , which earned her Albany Author of the Year. Amy lives in Albany, New York, with her three children. (Summary)
by Samuel C. Gwynne (Get the Book)
Dispensing with a chronological march through the life of Confederate General Thomas Jackson, Gwynne presents Jackson's eccentric personality in biographical episodes that he injects into the arc of Jackson's Civil War campaigns and battles. For example, the book covers the future hero's boyhood and his 1850s tenure at the Virginia Military Institute (a rich source of anecdotes of Jackson's oddities) after the 1861 Battle of Bull Run. Gwynne's technique succeeds, thanks to his spry prose and cogent insight, in revealing Jackson's character. Describing him as shy, serious, determined, and profoundly religious, Gwynne captures the stiff, asocial persona Jackson presented to the world. Yet Jackson did exhibit warmer traits in female company, evidenced by Gwynne' quotations of surviving letters, though those don't reveal his feelings about his estrangement from his Unionist sister, Laura. Better known is Jackson's inflexible attitude toward military duty and, most important to history, his tactical and strategic command of warfare. Showing Jackson's exploitation of speed and deception, Gwynne's vivid account of his Civil War run, which ended with his death in the 1863 Battle of Chancellorsville, is a riveting, cover-to-cover read for history buffs. --Booklist
by Vinh Chung (Get the Book)
Memories of Communist Vietnam are often limited to the American side of the tension, and particularly the harrowing experiences that soldiers faced during the war. Chung, a dermatologist, offers a tripartite portrait: his family's everyday life under the Communist regime, agonizing escape as refugees, and assimilation and integration into American society. Readers are given a glimpse into the dynamics that define the Chinese-Vietnamese family and how these intricate relationships and their elements, such as elder authority, influence interactions more broadly, within the community and, ultimately, American society. After his family's near-death encounters in Vietnam and the South China Sea, Chung is given a life his parents could not have. He offers a conversational, unpretentious narrative of the young immigrant/refugee experience, with its unconscious social faux pas; growing awareness of American class, race, and gender relations; and ambition to not only attain the American Dream but to take back what was taken away from his parents' generation: opportunity. This may remind those with immigrant/refugee experiences of their own lives; for others, Chung provides a humble story about coping with uprootedness, adversity, and assimilation into new social landscapes. --Publisher's Weekly
by Charles M. Blow (Get the Book)
In this brave and powerful memoir, New York Times columnist Blow describes growing up poor, African-American, and sexually conflicted in the 1970s Deep South. The Civil Rights era barely touched his Louisiana hometown of Gibsland, and Blow's family struggles in segregated, rural poverty. Sexual abuse at the hands of an older cousin when Blow is seven drives the already sensitive boy into isolation and depression. Although Blow becomes a superior student and athlete, he remains haunted by his experiences. Thirteen years later, this inner turmoil explodes, and he feels compelled to murder the man who molested him. Gibsland seems trapped in a pre-industrial era (young people there eat clay). The rare intrusions of modernity are shocking: when his family learns of an overturned cattle truck on a nearby highway, they rush out, steal an injured cow, and slaughter it. The great bravery in the book lies in Blow's nuanced treatment of his uncertain sexuality. While he waxes sentimental at times, and the decision to shoot his cousin comes off as melodramatic, this is a singular look at a neglected America. --Publishers Weekly
by Mark Edmundson (Get the Book)
Cultural critic Edmundson largely attributes his teenage transformation from a doughy dreamer to a disciplined man of serious thought to his stint as a high school football team benchwarmer. Here, the author reflects on the qualities that are often said to be taught by football including character, courage, pride, toughness, loyalty and resilience in a balanced analysis of their impact. Drawing on both his own experiences and the writings of such poets and thinkers as Homer and William Shakespeare, Edmundson comes to view each quality as a double-edged sword, especially when taken to extremes. In short, the game to him is both a poison and an elixir. While at times Edmundson seems to be overreaching, this work is a wide-ranging and insightful meditation on what football means in American culture. VERDICT Beautifully written and impressively thought out, this smart memoir should appeal to a wide audience. --Library Journal
by Carmen J. Viglucci (Get the Book)
The author, a retired newspaperman, recreates his early growing up years in the NY state capital, with wit and irony. There were the sandlot ballgames, row boat trips down the Hudson, visits to the Palace and Paramount Theaters, and even hikes to the neighborhood dump with his ten-year-old buddies, to do battle with the rats.There is also mention of the conflict stemming from his mother Nell's roots "as Irish as a Fitzgerald and Gilligan could make her" and his father's Italian immigrant background. The telling is laced with humor. (Summary)
